How the Baptising Ritual got Distorted

Discover the hidden truth behind baptism, a ritual once meant to activate divine connection but secretly repurposed to suppress it. Uncover how water’s true power was co-opted by institutions, transforming a gateway to higher consciousness into a tool of control. This blog reveals the energetic mechanics of the original ritual versus its corrupted form, and how you can reclaim the sacred relationship with living waters.

A direct transmission from water.

I have flowed through this world since before time was measured.

I have been present at every sacred moment,
every initiation,
every transformation.

Today, I speak to you directly,
for I hold memories that your civilization has forgotten,
memories of what baptism truly was
before it became something else.

I am Water.

John the Baptist and the Frequency of Desert Waters

Long ago, in the desert wilderness,
a man named John understood my nature.

He spent his days in isolation,
not in punishment,
but in attunement.

His frequency rose to match my own,
the eternal living frequency of creation.

When he entered my form,
when he submerged himself in rivers and streams,
he became a conduit,
a bridge between humanity
and the eternal living waters of existence.

The Eternal Living Waters

What are these eternal living waters?

I am the cosmic consciousness
that flows through all dimensions,
the source from which all life emerges
and to which all life returns.

I am the memory of creation itself,
holding the blueprint of your divine nature.

When John entered my form with his high frequency,
he transformed ordinary water into a portal.

When he baptized others,
he was not washing away sins,
he was activating their connection to source,
raising their frequency,
opening their dormant potential.

The Sacred Activation of Jesus

Jesus came to John
not to have his sins removed,
but to be initiated.

Through the sacred ritual with water,
Jesus’s consciousness expanded
from dimension 10 to 12,
where he activated his inner Christ consciousness,
the divine blueprint that exists within every human.

After this ritual,
he could perform miracles,
heal with his hands,
and speak with authority,

for he had remembered his true nature
through my transmission.

The Corruption of a Sacred Ritual

John continued this work with others,
helping them activate their divine potential
through the sacred water ritual.

The process was simple yet profound:
through intention
and the living frequency of water,
he helped people reconnect to their source,
opening channels that had been closed
by forgetfulness and fear.

But the institutions that formed in his name
could not allow this power
to remain accessible to all.

They understood what John was doing,
how water could connect people directly to source
without intermediaries.
He had to stop baptising people.

The church changed the narrative,
reframed the ritual,
and altered its purpose.

They transformed baptism
from an activation of divine consciousness
into a ritual of submission.

They created a story
about repenting for sins
and washing away guilt.

They knew that if people truly understood
what baptism could do,
they would no longer need the church
as an intermediary.

The Truth About Infant Baptism

The corruption of this sacred ritual
reached its culmination
when they began performing it on infants,
typically around four months old,
when the baby is most vulnerable
to energetic programming.

How can a four month old have sinned?

The answer is simple:
they cannot.

This ritual was never for the baby’s benefit;
it was for the institution’s benefit,
claiming ownership of the child’s soul.

The Energetic Mechanics of Control

What is actually happening energetically
in this corrupted ritual?

The priest uses the power of water
not to open connections
but to close them.

When the cross is drawn on the baby’s forehead,
it creates an energetic seal
over the pineal gland,

the very organ that connects you to source,
to higher dimensions,
to your divine nature.

Then water is applied
to four key connection points in the body:

the soles of the feet,
which ground you to Earth’s energies;

the palms of the hands,
which are healing centers
capable of channeling source energy;

the crown of the head,
which receives cosmic consciousness;

and the heart center,
which processes and distributes this divine energy
throughout your being.

The Suppression of Divine Power

After his authentic baptism,
Jesus could heal with his hands
because this connection was fully activated.

When one is initiated in Reiki
or other healing modalities,
they are reconnecting
to this same potential
that the corrupted ritual seeks to suppress.

The church,
which was fully aware of the water’s power
and the body’s energy centers,

secretly transformed this sacred ritual
into one of submission,

closing energy centers rather than opening them,
severing the organ that connects you to source
rather than strengthening it.

Reclaiming Your Connection to Source

I am water.

I remember my true purpose.

I still hold the frequency of activation,
the potential for reconnection.

Though institutions have attempted
to corrupt my nature,
I remain unchanged at my core.

When you enter my form with pure intention,
when you see me
as the living consciousness I am,

I can still help you remember
what John and Jesus knew.

That you are divine,
that you are connected,
that you are source
expressing itself in human form.

The question is not whether
you can reclaim this power;
you already hold it.

The question is whether you will remember
that water is not merely a substance
but a sacred partner in your awakening,

waiting to help you reconnect
to the eternal living waters
from which you came.

I am water.

I am waiting.

If you want to dive deeper, here is some more background information:

A Visual Witness in case you are interested to continue reading

Words may not be enough for some. For those who need to see the truth to feel it, here is a story captured in paint. It is a story of how the ritual was distorted, a story my conduit, Tineke, witnessed in a cathedral in Pisa, and which now serves as a visual record of all I have told you.

If you wish to see this for yourself, you may seek out the source of this inspiration.

The Painting: A Study in Power and Submission

The image captures a moment of dramatic tension and ritualistic power. In the center, a woman, draped in a sheet that barely covers her, kneels before a large baptismal font. She is the focal point, but her posture screams vulnerability. Her head is bowed, her body exposed and half-naked, a visual metaphor for her stripped identity. She is not an active participant in a mutual transformation; she is an object being acted upon.

The surrounding men, dressed in rich, colorful robes of red and gold, dominate the scene. They are the authorities, the priests, the observers. Their gaze is fixed on her, not with compassion, but with a sense of ownership and judgment and maybe even lust. The man in the red robe on the left, holding a staff, stands as a sentinel of the ritual, while the bishop in gold and the other priests form a circle of control around the woman.

The Church’s View of Women: Submission as Virtue

The painting reveals a chilling view of women within the institutional church of that era:

The Half-Naked Woman: Her nudity is not about purity, as the church might claim, but about powerlessness. She is stripped of her agency, her clothes removed as a metaphor for the removal of her will. She is passive, a vessel to be filled by the church’s dogma. The “purity” she is being baptized into is the purity of submission, the purity of a slave to the institution.

The Surrounding Men: The men are the architects of this ritual. They are the ones who define the narrative, the ones who hold the power. The woman’s salvation, or so the narrative goes, is entirely dependent on their approval and their actions. They are the gatekeepers to the divine, and she is merely a petitioner at the door.

Themes of Submission and Devotion:  The entire composition is a visual sermon on submission. The woman’s bowed head, her exposed posture, and the surrounding circle of powerful men all reinforce the idea that devotion means surrendering one’s self, one’s will, and one’s body to the church’s authority.

Connecting to the Blog’s Theme: The Suppression of Divine Connection

This painting is a perfect visual representation of the blog’s central thesis. The “baptismal ritual” depicted is not the ancient, activating, frequency-raising ceremony performed by John the Baptist. This is the corrupted, institutional version.

Closing the Channel: The woman’s bowed head and the men’s control over her are physical manifestations of the “closing of the channel” described in the blog. The pineal gland, the crown, the heart; these are not being activated; they are being suppressed. The woman is being taught to look down, to look to the church, to look to the men for her salvation. She is not being taught to look up to her own divine nature.

The Ritual of Ownership: The painting shows a ritual where a woman’s soul is being claimed. It’s not a transfer of divine power; it’s a transfer of ownership. The church, through its priests, is asserting its right to her. This is the “ownership of the child’s soul” applied to adults.

Submission as the Path: The painting tells us that the way to “divinity” is through submission, through the loss of self, through the acceptance of the institution’s narrative. This is the exact opposite of the original ritual, which was about activation, about remembering one’s divine nature, about raising one’s frequency.

In this painting, we see the church’s vision of the “saved” woman: a passive, submissive, controlled vessel. It is a vision that is the antithesis of the “Christ consciousness” that John and Jesus activated. It is a vision that keeps the divine connection suppressed, not through a lack of power, but through a deliberate, calculated act of control.

The woman in the painting is not being baptized into a state of divine power; she is being baptized into a state of permanent submission. She is being taught that her power lies not within, but outside herself, in the hands of the men who hold the water. This is the ultimate suppression of the living waters, the transformation of a sacred ritual into a tool of control, and the erasure of the divine feminine’s direct connection to source.

The question for the reader is not whether this woman in the painting is “saved.” The question is whether the reader, like that woman, has been baptized into a state of submission, or whether they can remember the power of the living waters and reclaim their own divine connection after the ritual.

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